
Source: http://www.edmontonjournal.com
By Roger Levesque, edmontonjournal.com
EDMONTON — Edmonton’s third annual Celtic Festival will pack 11 acts into one long Saturday extravaganza this August.
Celtic rockers Fraid Knot, St. James Gate, Claymore and McQuaig, and acoustic-oriented folk acts like Keri Lynn Zwicker, Sarah Burnell and Stephen Maguire are all set to perform at Hawrelak Park’s Heritage Amphitheatre Saturday, Aug. 14.
Two Edmonton-area dance groups will be on hand, Mattierin Dance Troop and Celtic Dance Academy, while the Edmonton & District Pipe Band will ensure that the pipes are blowing. Finally, Knights of the Northern Realm, a re-enactment troupe will walk the site in period armour with occasional battle skirmishes.
At a media launch Wednesday, spokesman Michael Purcell admitted that the festival “went a little too big, too fast” in expanding to a two-day Friday-Saturday schedule last year. The decision to go with one longer day this year will help the volunteer-run event channel resources more effectively.
“I think we’ve found that there is a large audience for Celtic music,” says Purcell. “We’re developing a large following especially with families. You can get there first thing in the morning and the kids will have a lot to do. It’s a good show for all ages.”
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Source: Wikipedia
Celtic Fusion is an umbrella term for modern music which incorporates influences considered “Celtic,” or Celtic music which incorporates modern music.
It is a syncretic musical tradition which borrows freely from the perceived “Celtic” musical traditions of all the Celtic nations, as well as from all styles of popular music; it is thus sometimes associated with the Pan-Celtic movement.
Celtic fusion may or may not include authentic traditional music from any one tradition under the Celtic umbrella, but its common characteristic is the inspiration by Celtic identity.
The oldest musical tradition which fits under the label of Celtic fusion originated in the rural American south in the early colonial period and incorporated Scottish, Scots-Irish, Irish, and African American influences. Variously referred to as roots music, American folk music, or old-time music, this tradition has exerted a strong influence on all forms of American music, including country, blues, and rock and roll.
The connections between traditional Scottish and Irish music and Rock music are deep and go back to the origins of American music.
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Had the chance to work with Cutthroat Shamrock again recently at the Gatlinburg Scottish Festival and their brand of punk/irish/pirate seems to leave a positive impression.
The energy and musicianship is definitely a show stopper, it’s obvious they have been honing their skills over this past year. Known well in Knoxville, these guys are expanding their travels, so keep an eye out for an appearance near you.
Did I mention that they played the weekend festival without a bass player? Seems Guido lost a wrestling match and came away with a broken foot, so what to do? Go on with what you’ve got, and they did!
You’ve got to have talent to continue without a bass player and make it sound good and it sounded very good. It’s also nice to work with someone that delivers without attitude. Of course the beer tent may have had something to do with that…….
Thought you might want to check them out on myspace or facebook… www.myspace.com/cutthroatshamrock www.facebook.com/cutthroatshamrock
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Source: http://www.readjunk.com
Posted by Bryan Kremkau
St Patrick’s Day has passed this year but that doesn’t mean you can’t listen to some Celtic rock music still! The Rumjacks hail from Australia, but they don’t sound like it at all. The band is heavily influenced by The Pogues and Roaring Jack (obviously). Members of the band formed in 2008 when their other bands (the Laundrymen, Catgut Mary) broke up. I’ve heard many a Celtic rock band in my day, and these guys definitely stand out from the bunch.
I’m reviewing both their releases since each EP only contains 5 or 6 tracks each. Their newest release is “Hung, Drawn and Portered” and it’s a fine EP. It makes me want to hear more after hearing it. The first song on that album is “The Plantin’ O’ Kitty Randall” is an awesome track that sounds like a bunch of pirates are singing it. I notice that many bands cross over into the pirate territory when doing Celtic music sometimes. I don’t mind it, pirates rock! The accordion playing is top notch, and the singing is really good as well. The last track on the EP is a cover of “I’ll Tell Me Ma” and I can never get enough of hearing different covers of that traditional song.
Band Link: www.myspace.com/therumjacks
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Celtic Force Enterprises, Inc. is pleased to announce that Donegal-based singer/songwriter Mickey Harte will appear Thursday evening, 11 March, 2010 at Uisge Beatha Pub, Woodlands Road, Glasgow. The event is part of the Albannach Homecoming Tour festivities organized by Celtic Force.
For those of you who don’t already know him, Mickey is among the most talented of modern-day Irish musical artists. His style could be described as contemporary with elements of rock, folk, and even some blues. Mickey writes and performs both electrically and acoustically. For this special invitation, Mickey is flying in for a solo acoustic performance.
The Homecoming Tour consists of 40+ American friends and fans of the Scottish performance group Albannach over for a week-long trek from Stirling to Glasgow to Inverness to Edinburgh. Other musical evenings of the trip include ones by Albannach, Ted Christopher, and Jim Malcolm.
Please know that all friends and family of both Albannach and Celtic Force are welcome @ Uisge Beatha. Show starts after 830pm. Event is “free” (as long as you drink!) for members of our group.
It’s a “don’t miss” night for aficionados of live performance of passionately upbeat vocals, lilting laments, acoustic bluesy riffs and other deft guitar work.
For more information, contact:
Celtic Force Enterprises: thecelticforce@gmail.com or thecelticforce@cox.net
Uisge Beatha: 236-242 Woodlands Road. Tel: 0141 332 1622 – Nearest Subway stop: Kelvinbridge
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Source: http://www.guardian.co.uk
Johnny Cash had a voice that rumbled as deep as bone and songs that secured his reputation as one of the greats of country music. Now, seven years after his death, his final album, American VI: Ain’t No Grave, will be released on 26 February – which would have been his 78th birthday. But while his millions of fans may have believed Cash to be an all-American outlaw, the man himself was obsessed with his Scottish roots.
The unlikely tale begins in the late 1970s when Cash was returning to the United States and found himself seated next to Major Michael Crichton-Stuart, hereditary keeper of Falkland Palace in the Kingdom of Fife on the east side of Scotland. Cash mentioned that he had heard that his family originated in Scotland. Crichton-Stuart told the singer that he knew this to be the case since there were farms and streets in Fife that still bore the Cash name.
Inspired by the chance meeting on the plane, Cash visited a genealogist and discovered that he was of Scottish descent and that his clan had originated around the 12th century in the Strathmiglo area of Fife. The connection was traced back to when the niece of Malcolm IV (1153-1165) – who was named Cash or Cashel – married the Earl of Fife. The first American Cash connection came in 1612 when mariner William Cash sailed from Scotland to Salem, Massachusetts, with a boatload of pilgrims.
What may to others have appeared a tenuous Celtic connection was for the country star something altogether more profound and meaningful. The shared roots of country music and Celtic music inspired Cash to visit Scotland and he travelled to Fife at least three times – most notably in 1981 when he recorded a Christmas special for US television.
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Source: Worcester Telegram & Gazette News/ Nancy Sheehan
If you go Massachusetts this weekend and aren’t already a fan of Celtic music, prepare for your conversion.
“We have had people who come to our show and they’re, like, ‘I was never a fan of this music until we heard your songs and now I can’t stop listening to your CD,’ “ said Stefan Lozinski, a member of Canada’s Celtic Party band, Fiddlers 3.
Apparently, a similar thing happened to the organizers of the Blackstone Valley Celtic Festival, which will be held Saturday at Indian Ranch on the shores of Webster Lake. Fiddlers 3 will be a headliner at the event. “We had sent a package to them and they liked our music so they called us in May and asked if we would like to come out and perform at their festival,” Lozinski said. They will join about a dozen other acts at the festival and are slated to take the stage at 3:45 p.m.
What is the universal hook? “The thing with Celtic music is it really doesn’t have an age specific kind of sound,” Lozinski said. “Everyone enjoys it because it’s very uplifting. It’s got a good beat to it. You can’t really stop tapping your foot or clapping your hands or kind of reacting to it.”
Fiddlers 3 have developed their unique brand of Celtic over their many stage-hopping seasons.
Lozinski has been touring North America for 14 years with the band. That makes him a consummate veteran at the still tender age of 25. The same can be said of his sibling bandmates, brother Andrian, 23, and sister Elaina, 22. “We don’t promote ourselves necessarily as a family act,” Lozinski said, even though his parents – accordion player Mary Ann and spoons players and percussionist Lorne – also are band members. “We don’t hide it but we consider it to be just the membership of the band. It doesn’t really affect our sound,” he said. Non-Lozinskis Cam Walsh on bass and Tom on drums round out the band.
That the whole family ended up in Fiddlers 3 was a reversal of the usual scenario of stage parents pushing the kids to perform. It was the kids’ careers that took off and, since they were so young, the parents thought it best to go along with them.
It was a fiddle tune over the radio that kicked the whole thing off. Stefan Lozinski, then 11 years old, was riding in the car with his mother when the song came on. “I was in that place where I was thinking of learning a musical instrument,” he said. “I had just heard that one of our relatives bought a violin but didn’t think she was actually going to use it so it was kind of available. That song came on and I thought ‘I could probably do that’ and I wanted to give it a shot. We ended up getting that violin and I started taking lessons.’ ”
Just eight months later he competed in the largest competition in Canada and has been winning awards ever since. “I just kind of threw myself into it,” he said.
A year after Lozinski began competing, his brother and sister joined him on the circuit. They got so many gigs that they ended up going the professional route shortly after. “It gave us the ability to perform for more people and put our spin onto the music and make our mark in the Celtic circles,” he said.
Instead of resting on those precociously well-honed laurels, Fiddlers 3 kept pushing in new directions. Their latest CD, “Volume 3: The Rhythm Chapter,” reveals a band that has come completely into its own. The irresistible songs have a confidence about them and a more aggressive sound than their earlier recordings. The rhythms are more complex while holding onto the hallmarks of their younger years: a driving downbeat with a delightful dose of polka time here and there. Their signature song, “Orange Blossom Special,” is a refreshingly polka-enhanced version of that classic.
“We are Ukrainian,” Lozinski, a second-generation Canadian whose grandparents hail from that former Soviet Union republic, said. “We have a European background so we add a bit of the European influence into our music. It’s Celtic but we also have polkas and all that kind of thing so we sort of stretch the dynamics of the Celtic music a bit.”
That’s partly a result of stretching their minds at McMaster University in Hamilton, Ontario. All three siblings have received music degrees, with honors, from the respected school. Additionally, Stefan and Andrian have earned artists diplomas in performance, which is basically a virtuosic training on the violin or the fiddle, Stefan Lozinski said.
“So we wanted to take the music that we always played and move into tunes that are a little bit more energetic,” he said. “We just wanted to add in that complexity and put our own twist on the music with the skills that we learned and the abilities that we gained from that.”
The result is a CD and a stage show that evince a livelier, a bigger sound than their previous work. “We’ve added more rhythmically complex tunes. We’ve put more energy into it. We’ve started writing a bunch of our own music for this disc. We’ve definitely raised the level of energy and the dynamics for the group,” he said.
Do not expect any dry academic presentations of music theory, however. Fiddlers 3 pours their hearts and souls into those and college-learned time signatures and measure structures. The result is an irresistible Celtic musical fling.
“It has the ability to make you get involved with it,” he said, of the group’s new approach to Celtic. “It brings your spirits up. It makes you happy and gives you the ability to just have a good time.”
For more on Fiddlers 3, visit http://www.myspace.com/fiddlers3
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Source: IrishCentral.com
by Paul Keating
In the 1990s they were two Irish exiles arriving in New York City like so many before them, with youthful curiosity and adventure stoking their musical minds still very much in formation.
Fate and serendipity would bring them together in a new band called Solas (Light) along with other wunderkind in the Irish traditional music scene ready to take the music into the next millennium.
As wildly exciting and successful as Solas was in its opening five years of existence, it could not contain the brilliant pair who felt compelled to seek different roads for themselves at the turn of this century experiencing personal growth as artists and individuals.
Maturity and a willingness to expose themselves to greater challenges as professional musical artists have marked the work of singer Karan Casey from Waterford and singer/guitarist John Doyle from Dublin.
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Jil Chambless’ new CD, “The Ladies Go Dancing” is now available.
It was produced by the legendary Brian McNeill of Battlefield Band fame and features 13 tracks of (if I do say so myself) incredible music!
Jil Chambless - vocals and flute; Brian McNeill - mandocello, bouzouki, guitar, concertina and fiddle; Scooter Muse - guitar, high strung guitar and 5 string banjo; Lorne MacDougall - highland pipes, Scottish small pipes.
Check out her page on the Notion’s Website at: http://www.henrisnotions.com/jc.html
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Source: www.timesdaily.com
Shoals Celtic Concerts will present Scottish solo artist Ed Miller in concert at 2 p.m. Sunday.
The concert will be held in the Southall-Moore Annex at Kennedy-Douglass Center for the Arts in Florence, 217 E. Tuscaloosa, St., Florence. Seating is limited.
Advance tickets are $10 and available at the arts center. Tickets at the door are $12.
According to Scooter Muse, with the Celtic concerts, Miller is a Shoals favorite.
Originally from Edinburgh, Scotland, Miller has been hailed as “one of the finest singers to come out of the Scottish Folkson Revival” and as “one of Scotland’s best sing exports,” according to The Scotsman.
Muse will be performing with Miller, along with Jil Chambless.
A native of Montgomery, Chambless was introduced to Celtic music in the late 1980s when she joined the band Henri’s Notions. According to her Web site, jilchambess.com, Chambless has completed her first solo recording, “The Ladies Go Dancing.”
In February, Shoals Celtic Concerts will present a concert by the Tannahill Weavers, a traditional Scottish band.
It will be at 7 p.m. Tuesday, Feb. 9, at Shoals Theatre, downtown Florence. Tickets are $12 in advance and also are available at the arts center. Tickets for the Tannahill Weavers concert are $14 at the door.
“The Tannahill Weavers are one of Scotland’s premier traditional bands,” said Muse. “Both acts are at the top of their game in the Celtic world,” said Muse.
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